Date: Tue, 28 Mar 1995 07:55:22 -0500 (EST) From: Philip Goldstein <pgold-AT-strauss.udel.edu> Subject: Re: Use Value (and Aesthetics) On the issue of whether or not movies are reproducible, Steve Keene writes "More than one copy of a movie is made for distribution, granted; but to "make" a movie, say _Forest Gump_, the formula goes: take one novel, add one Tom Hanks... In other words, reproducing the movie is (a) impossible and (b) pointless. Whereas with a true(r) commodity, making more than one copy is both (a) possible and (b) the whole point--to make lots and sell lots." I can't comment on all the economic issues, but, as to whether or not you can turn a movie into a reproducible formulae, there is a whole school of cultural criticism which takes popular movies like, say, Hank's "Forrest Gump" and treats them as paradigms establishing a genre. The seminal essay here is Adorno and Horheimer's "The Culture Industry," which complains that the industry denies creativity and reduces art to formulaic reproduction. Walter Benjamin also has a famous essay which explains that mechanical reproducibility destroyed the aura of uniqueness which traditionally distinguished great art and reduced art to democratic accessibility. On the relationship of art and consumption, the classic essay denying that art is reducible to consumption is Kant's Critique of Aesthetics, which was given Marxist import by Lucien Goldmann and, to an extent, Georg Lukacs, among others. On the positive side, critics construe consumption as reader or audience response. Tony Bennett, the British Marxist, has given this position a strong Marxist defense, attacking Kant and his Marxist elaborators. In the recent Cultural Capital, John Guillory has attacked reader-oriented approaches, including Bennetts, on the grounds that "Marxist" grounds that production matters more than consumption. Philip Goldstein --- from list marxism-AT-lists.village.virginia.edu --- ------------------
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