Date: Mon, 27 Nov 95 18:23 GMT From: jplant-AT-cix.compulink.co.uk (Jj Plant) Subject: Gramsci & Trotsky Chris, some of your participants may be interested in this. It appeared in the first Russian editions of Trotsky's "Literature & Revolution", but not in any of the English editions. Gramsci is evidently replying to Trotsky's enquiries about futurism. The translation is mine, so treat with care. _________________________________________________________________ LETTER FROM COMRADE GRAMSCI ABOUT ITALIAN FUTURISM Here are the answers to the questions about the Italian Futurist movement which you sent me. The mature Futurist movement in Italy lost its special character after the war. Marinetti contributed remarkably little activity to the movement. He got married and preferred to devote his energies to his wife. At the present time, monarchists, communists, republicans and fascists belong to the Futurist movement. Recently a political weekly was established in Milan under the title "Il Principe", which supports, or attempts to support, the theory which was propounded by the Italian Macchiavelli in the "Cinquecento", i.e. that the condition of struggle among local parties, which is leading the nation into chaos, can be eliminated by an absolute monarch, a new Cesare Borgia, who beheaded all the leaders of competing (?) parties. The journal is led by two Futurists - Bruno Kappa and Enrico Settinelli. Marinetti however, who was arrested in 1920 in Rome, during a patriotic demonstration, for an energetic speech against the king, collaborates with this weekly. The majority of the significant elements of pre-war Futurism have turned to Fascism, following the expulsion of Giovanni Pannini, who was a catholic and wrote a history of christ. In the First World War the Futurists were mainly public supporters of "War to the final victory" and of imperialism. Only one Fascist, Aldo Palajeski, was against the war. He broke with the movement, and although he was one of the most interesting writers, as a result he fell silent as a writer. Marinetti, who on the whole always praised war, published a manifesto in which he stated that war presents a unique method of cleansing the world. He took part in the war in the capacity of Captain of a detachment of armoured cars (?), and his most recent book "The Steel Alcove" consists of enthusiastic anthems to armoured cars in the war. Marinetti wrote a pamphlet "In spite of Communism", in which he expounds his political doctrine, if you can describe as doctrine the fantasies of this man, sometimes witty, always strange. Before my departure, the Turin section of Proletkult invited Marinetti to an exhibition of Futurist paintings, in order to explain their meaning clearly to the workers who were members of the organisation. Marinetti is very glad to receive any acknowledgement, and after visiting the exhibition with the workers, expressed his intense and overflowing pleasure (?) that the workers analysed the questions of Futurist art much better than the bourgeoisie. Before the war, Futurism was very popular among the workers. The journal "L'Achebo" (The Stubborn) had a print run of 20,000 copies, of which four fifths went to workers. During the time of the numerous manifestations of the Futurists on art and theatre, the large cities of Italy defended the Futurists against the young people - semi aristocrats and bourgeois - who began fighting the Futurists. The Futurist groups of Marinetti no longer exist. Marinetti's old journal "Poezia" is nowadays led by a certain Mario Dessi, a man of no significance, either as an intellectual or as an organiser. From Southern Italy, and especially Sicily, come may small Futurist magazines, to which Marinetti contributes articles ; but these magazines are published by students, taking into account the Futurists' ignorance of Italian grammar. The stronger cells among the Futurists are the artists. In Rome there is a permanent gallery for Futurist painting, and organised talks about photography by a certain Antonio Julio Blagallia, an agent for film and theatre actors. Among the Futurist painters the best known is Giorgio Balla. D'Annunzio never speaks publicly about Futurism. You must bear in mind that Futurism, at the time of its birth, had a distinct anti-D'Annunzio character : One of the first books by Marinetti bore the title "The gods depart, and D'Annunzio remains". Although at the time of the war, the political programmes of Marinetti and D'Annunzio coincided, the Futurists remained hostile to D'Annunzio. The great majority of them took no interest in the Fiume question, although they participated in the demonstrations. It can be said that after the restrictions of the peace, the Futurist movement lost its way and split into various currents, producing and creating the shifts of the war epoch. The young intellectuals were almost all reactionary. The workers, who saw in Futurism elements of a struggle against the old Italian academic culture, calmed down away from the national mass. Today must fight with weapons in hand for their freedom and take little interest in old quarrels. In the big industrial centres the programme of Proletkult, directed towards awakening the creative souls of the workers in the fields of literature and art, absorbs the energies of those who still have the desire and the time to busy themselves with these problems. Moscow, 8 September 1922 _________________________________ jplant-AT-cix.compulink.co.uk --- from list marxism-AT-lists.village.virginia.edu --- ------------------
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