Date: Sat, 31 Aug 1996 18:12:21 +0200 (MET DST) From: rolf.martens-AT-mailbox.swipnet.se (Rolf Martens) Subject: "The 4" & events in China '76 (14): J. Q. on culture, '66 "The 4" & events in China '76 (14): J. Q. on culture, '66 [Sent: 31.08.96] This is part of a discussion on the Jefferson Village Virginia Marxism list and is also sent to newsgroups. [I'm reposting the below as another item of this series, since it i.a. contains a brief quote showing the standpoint of Jiang Qing, the later leader of the "4-Gang", in 1966 concerning some matters of culture, as reported in the 1977 book by US historian Roxane Witke "Comrade Chiang Ching". I commented on that standpoint, comparing it also to another quote and to some facts of mid-late 20th century civilization. This quote IMO is rather typical of a certain negative ideological current within the Cultural Revolution in China, a current which by no means was the principal aspect of that great revolution but which was also present in it and which later found a political representative precisely in the "4-Gang". In particular since there still today, on the part of certain forces in the world, is being made propaganda for the "4-Gang" as "the real revolutionaries in China", these matters too are among those which the Marxists today need to discuss. Only very briefly are they touched on in the below, which was originally posted on 04.08.96 as an appendix to item {4} of my series 'Why "reds are "nukes" - Debate with Louis N. P.' In that debate, it i.a. had turned out that I and Louis N. Proyect, who had suggested it, shared a taste in music, while having opposing views on, for instance, nuclear energy and also the Cultural Revolution. (Indeed, my co-debater later accused me of being "obsessed" with the two last-mentioned subjects.) This was one reason why I then brought the following, under the subject line: "Science, society, culture, as reflected in two quotes". - RM] At approximately the same point in time when there were the initial developments, in the scientific-technical field, of jet aircraft, computers and nuclear energy, there was also, in the cultural field, in the USA that development, within the already very popular form of music blending originally African culture together with European/American, which its originators from the late 1940:s on thought was appropriate to call "modern music". It spread to many countries as another "new wave". Is there a connection between the simultaneous developments in these different fields? I think there is. The whole social background to the development of this modern music of course is a complicated thing, which I shall not try to analyze here. But the reason why it was and is enthusiastically liked by so many and in so many countries, while at the same time it was also >from the start disliked and spoken ill of by some, must certainly have something to do with its being an expression both of the enormous possibilities which there are in our age and of the sharp conflicts which accompany those possibilities. In this connection, I think it may be of interest to note and compare two things which were said by two persons of widely different background. The first one was some years ago by orchestra leader Leroy Jones, USA, who held that "Charlie Parker's music is the music of the nuclear age, in which we still live". With this, he IMO correctly pointed at one of many aspects of it, and not so badly characterized the present age either. The second one was stated in a public speech by one of the political leaders in then socialist China, Jiang Qing, on 18.11. 1966, i.e. during the Cultural Revolution in China (according to U. S. historian Roxane Witke, from whose 1977 book "Comrade Chiang Ching" [p. 325] I quote:) "Capitalism has a history of several countries; but it has only a pitiful number of 'classics'. They [capitalist writers] have created some works modeled after the 'classics', but these are stereotyped and no longer appeal to the people, and are therefore completely on the decline. On the other hand, there are some things that really flood the market, such as rock-and- roll, jazz, strip tease, impressionism, symbolism, abstraction- ism, Fauvism, modernism - there's no end to them... In a word, there is decadence and obscenity to poison and corrupt the minds of the people." The Great Proletarian Cultural Revolution in China (1966-76) was an earth-shaking and on the whole extremely positive event, which not by chance enthusiasmed many people also outside China, including people in the industrially more highly- developed countries. But it's clear that it couldn't but have its limitations and even negative aspects too, since China, despite the modern nature of its system of society, on the whole still was a comparatively backward country as far as industry, technology and science were concerned. In the above, Jiang Qing mixed together and mixed up many different things which in reality have little to do with each other, and ignorantly and erroneously slammed the stamp of "decadent" etc on the lot. In retrospect, there IMO is no particular reason to criticize her lack of knowledge of some of the things she mentioned. This was not so unnatural in the circumstances. But as a political leader she should at least have realized this fact, that she knew very little about them. Mao Zedong, as far as the documents show, always avoided making judgements on matters about which he had no deeper knowledge. In his last years, he correctly found it necessary to criticize Jiang Qing, for her having turned into a phoney"leftist" and a bourgeois carreerist, just as much as he also criticized the more openly bourgeois deviation of the later No. 1 traitor and revisionist dictator, Deng Xiaoping. Today, there are some people among those calling themselves "Marxists" who still acclaim Jiang Qing as a "standard-bearer" of the Cultural Revolution. In my opinion, this is a very doubtful judgement, in view of such standpoints of hers as the above. It's a historical fact that in our century, socialism first has had breakthroughs in some relatively less developed countries, in Russia in 1917 and in China in 1949. Some people at these points in time even spoke out against the Russians' (etc) respectively against the Chinese's venturing to make socialist revolutions, on the grounds that "their countries weren't advanced enough for that". They were wrong of course. But it's also wrong to think that if we're to get an approxima- tively correct understanding of the world of today - which in part of course is a "hi-tech" world - it would be sufficient to lean on only that political experience which you can get from studying the documents from those earlier socialist countries, Russia (respectively the Soviet Union) and China. That experience is important enough, but not sufficient for this. Why, for instance, have the main rulers in the world today so desperately, in the last 20-30 years, been trying to *get out of* "the nuclear age" (at least, as far as the *peaceful* use of nuclear energy is concerned)? Why have they more and more in the last decade even tried to "get out of" the age of oil? Why are some of their media just now quite busy "discovering" some "very detrimental environmental side effects" of hydropower? On these and some other rather important questions in the world today, you'll get little guidance from the writings emanating from the earlier revolutionary Russia or China. These need to be complemented by some others in the political field (and I have in earlier postings already pointed at one important source of such experience) and also by some study of the natural sciences, something which Marx, for instance, certainly did not neglect and a point on which no doubt many of his present-day adherents need to improve. Rolf M. [So far the reposted debate appendix from 04.08.96. ] --- from list marxism-AT-lists.village.virginia.edu ---
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