Date: Sun, 18 Jun 2000 10:54:50 -0400 (EDT) From: Howard Hastings <hhasting-AT-osf1.gmu.edu> Subject: Re: Political Modernisms (was Nazi Modernism and Yeats) On Thu, 15 Jun 2000 Everdell-AT-aol.com wrote: > I figured that Nazis could have no opinion on Heidegger's works simply > because none of them had enough respect for reading to learn what was in > them. Clearly one or two of them failed to reach for their revolvers on > hearing the word "culture." Do you have a reference for Nazi criticism of > Heidegger? Here is one, by a philsopher named E. Krieck, in an article in a 1934 issue of the Nazi newspaper Volk im Werden. It is also cited in Guido Schneeberger's Nachlese zu Heidegger and in an article by Pierre Aubenque entitled "Noch einmal Heidegger und der Nationalsozialismus." in an edition of essays on Heidegger in Die Heidegger Kontroverse, ed. Juerg Altwegg. My rough Translation below comes from the Aubenque essay. Der weltanschauliche Grundton der Lehre Hedieggers ist bestimmt durch die Begriffe der Sorge und der Angst, die beide auf das Nichts hinzieln. Der Sinn dieser Philosophie is ausgesprochener Atheismus und metaphysischer Nihilismus, wie er sonst vonrnehmelich von juedischen literaten bei uns vertreten worden ist, also ein Ferment der Zersetzung und Aufloesung fuer das deutsche Volk. In Sein und Ziet philsophiert Heidegger bewusst und absichtlich um die >>Altaeglichkeit<<--nichts darin von Volk und Staat, von Rasse und allen Werten unseres nationalsozialistischen Weltbildes. Wenn in der Rektorats Rede _Die Selbstbehauptung der (deutschen) Universitaet ploetzlich das Heroische anklingt, so liegt darin eine Anpassung an das Jahr 1933, die im voelligen Widerspruch zur Grundhaltung von Sein und Ziet (1927) und Was ist MetaphysiK?(1931) mit ihrer Lehre von der Sorge, der Angst und dem Nichts steht. The keynote of the worldview of Heidegger's teachings is determined by the concepts of Care and Angst, both of which are directed towards Nothingness. The content of this philosophy is outspoken atheism and metaphysical nihilism, as that is represented amongst us above all by Jewish writers, [and is] therefore an encouragement to the undermining and dissolution of the German people. In Being and Time Heidegger consciously philosophizes over "Everydayness"--nothing therein about Volk and State and race and all the values of our Nationalsocialist worldpicture. If in the Rektoraratsrede "The Self-affirmation of the German university" the clang of the heroic suddenly appears, so lies therein only an adaptation [in the sense of going along with everyone in hopes of personal gain rather than real conviction] to the year 1933, which stands in complete contradiction to the fundamental orientation of Being and time (1827) and What is Metaphysics? (1931) with their message of Care, of Angst, and Nothingness. Aubenque's essay is mainly concerned with ponting out errors in the Farias trashing of Heidegger. One of those errors concerned Farias claim that it was only through Himmler's intervention that Heidegger was able to publish "Plato's Conception of Truth" in 1943. In fact, the Nazi brass was quite against Heidegger publishing anything, and it was the intervention of the Italian Cultureminister Guiseppe Bottai who got it published in the German Italian Yearbook. This has some relevance to the thread on nazism and romanticism on a modernist list because similar arguments are used to link romanticism, Heidegerrian phenomenology, and even more contemporary deconstruction to fascism. The very things which disturb contemporary consesrvatives about Heidegger are the very things which disturbed Nazis. One might bring Freud usefully into a discussion of this phenomenon via the concept of projection. .....................................................................
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