From: Everdell-AT-aol.com Date: Sat, 3 Jun 2000 00:08:54 EDT Subject: Re: Modernism & Phenomenology In a message dated 6/2/00 9:06:12 AM, AnnKatrin Jonsson asks: <<I'm interested in phenomenology (Husserl, Merleau-Ponty etc) and its relation to modernism (literature). Could anyone help me with readings or contacts?>> There's a chapter on Husserl and another two on literature (fiction and poetry) in my own book, The First Moderns (Chicago, 1997, pb, 1998) with a lot of references. Among the many, you'll probably want these four which start with literature: Kumar, Jitendra, “Consciousness and Its Correlates: Eliot and Husserl” Philosophy and Phenomenological Research 28(Mar, 1968), 332-52 Menand, Louis, Discovering Modernism: T.S. Eliot and His Context, NY: Oxford U.P., 1987 Schwartz, Sanford, The Matrix of Modernism: Pound, Eliot, and Early Twentieth Century Thought, Princeton, NJ: Princeton U.P., 1985 Steadman, John M., “Eliot and Husserl: The Origin of the ‘Objective Correlative’“ Notes and Queries, n.s. 5(June, 1958), 261-62 And these, which I found helpful in explaining the abstruse (and sometimes genuinely confused) Husserlian texts, and also establishing the odd relationship between phenomenology and its equally modernist contemporary, the "analytic" philosophy of Frege, Russell, Wittgenstein et al. Bell, David, Husserl, NY: Routledge, 1990 Bell, ed., The Analytic Tradition: Philosophical Quarterly Monographs, v1, Cambridge: Blackwell, 1990 (incl. Husserl & Russell) Biemel, Walter, “Les phases décisives dans le développement de la philosophie de Husserl,” in Husserl, Cahiers de Royaumont: Philosophie 3(Paris: Minuit, 1959) Cobb-Stevens, Richard, Husserl and Analytic Philosophy, Boston: Kluwer Academic Publishers, 1989 Findlay, J.N., Wittgenstein: A Critique, Boston: Routledge, 1984 (vs Wittgenstein using both Husserl & Russell) Hill, Claire Ortiz, Word and Object in Husserl, Frege, and Russell: The Roots of Twentieth-Century Philosophy, Athens, OH: Ohio U.P., 1991 Mohanty, J. N., Husserl and Frege, Bloomington, IN: Indiana U.P., 1985 Resnik, Michael D., Frege and the Philosophy of Mathematics, Ithaca, NY: Cornell U.P., 1980 (incl. Husserl & Russell) Simons, Peter, Philosophy and Logic in Central Europe from Bolzano to Tarski: Selected Essays, Dordrecht: Kluwer, 1992 (incl. Husserl as a forerunner of analytic philosophy à la Russell) Smith, Barry & David Woodruff Smith, eds., The Cambridge Companion to Husserl, NY: Cambridge U.P., 1995 Tatarkiewiecz, Wladyslaw, “Abstract Art and Philosophy” in British Jnl of Aesthetics 2(1961-62) (Husserl, Meinong, Ehrenfels, Wiener Kreis) Tragesser, Robert S., Husserl and Realism in Logic and Mathematics, Cambridge: Cambridge U.P., 1984 Willard, Dallas, Logic and the Objectivity of Knowledge: Studies in Husserl’s Early Philosophy, OH: Ohio U.P., 1984 And maybe these two, more contemporary with Modernism itself, and giving you a sense of how phenomenology made its way at the time: Ortega y Gasset, José, Phenomenology and Art, tr. Philip W., Silver, NY: Norton, 1975 including article from series “On the Concept of Sensation,” Revista de libros (Jun, Jul, Sep, 1913), “Sensation, Construction, and Intuition,” Spanish Association for Advancement of Science, 1913, and “Preface for Germans,” MS c1934. All on Husserlian phenomenology Osborn, Andrew D., The Philosophy of Edmund Husserl in Its Development from His Mathematical Interests to His First Conception of Phenomenology in Logical Investigations, NY: International Press, 1934 The relation between Modernism in the arts and contemporary philosophical movements is a remarkably neglected subject. It's not only Eliot, but Eliot is a fine example. He was reading Husserl for his doctorate in philosophy in Marburg, Germany, when WW1 broke out in 1914. Three years earlier in July, 1911, he had finished "Prufrock" in the same country (Munich), and then told a visiting Conrad Aiken that he had to return to Harvard to “study philosophy.” Among the things he found in Husserl and appropriated was the Husserlian phrase and notion, "objective correlative [objektive Korrelat]." Good hunting, -Bill Everdell, Brooklyn
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