Date: Mon, 14 Aug 1995 19:41:47 -0700 From: foonym-AT-ix.netcom.com (Johnson Watts) Subject: Re: eliminating recuperation: ethical stoicism You wrote: >> snipped << Violence is viewed with complete indifference in >Tarantino films, and the act of violence itself may very well prove to be >positive for the character who carries it out. It is definitely a >strong/weak relationship that is portrayed, and in fact Samuel Jackson's >monologue at the end of PULP FICTION, despite its Biblical references, is >quite clearly a reiteration of a Nietzschean master/slave idea ("I'd like >to think that you're evil men, and I'm the shepherd...but the truth is, >you're the weak, and I'm evil men," he says to another criminal at gunpoint). >In Tarantino films we are expected to sympathize with murderers as easily as >he intends us to ignore (if not mock) the deaths of innocent bystanders... >>snipped<< I can not bite my tongue any longer. Just to set the record straight about this cinematic *watershed*, here is the actual ending : VINCENT Jules, if you give this nimrod fifteen hundred buck, I'm gonna shoot 'em on general principle. JULES You ain't gonna do a goddamn thing, now hang back and shut the fuck up. Besides, I ain't givin' it to him. I'm buyin' somethin' for my money. Wanna know what I'm buyin' Ringo? PUMPKIN What? JULES Your life. I'm givin' you that money so I don't hafta kill your ass. You read the Bible? PUMPKIN Not regularly. JULES There's a passage I got memorized. Ezekiel 25:17. "The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of the darkness. For he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know I am the Lord when I lay my vengeance upon you." I been sayin' that shit for years. And if you ever heard it, it meant your ass. I never really questioned what it meant. I thought it was just a cold-blooded thing to say to a motherfucker 'fore you popped a cap in his ass. But I saw some shit this mornin' made me think twice. Now I'm thinkin', it could mean you're the evil man. And I'm the righteous man. And Mr. .45 here, he's the shepherd protecting my righteous ass in the valley of darkness. Or it could be you're the righteous man and I'm the shepherd and it's the world that's evil and selfish. I'd like that. But that shit ain't the truth. The truth is you're the weak. And I'm the tyranny of evil men. But I'm tryin'. I'm tryin' real hard to be a shepherd. Jules lowers his gun, lying it on the table. Pumpkin looks at him, to the money in his hand, then to Yolanda. She looks back. Grabbing the trash bag full of wallets, the two RUN out the door. Jules, who was never risen from his seat the whole time, takes a sip of coffee. JULES (to himself) It's cold. He pushes it aside. Vincent appears next to Jules. VINCENT I think we oughta leave now. JULES That's probably a good idea. Vincent throws some money on the table and Jules grabs the briefcase. Then, to the amazement of the Patrons, the Waitresses, the Cooks, the Bus Boys, and the Manager, these two bad-ass dudes -- wearing UC Santa Cruz and "I'm with Stupid" tee-shirts, swim trunks, thongs and packing .45 Automatics -- walk out of the coffee shop together without saying a word. THE END --- from list nietzsche-AT-jefferson.village.virginia.edu --- ------------------
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