File spoon-archives/nietzsche.archive/nietzsche_2000/nietzsche.0009, message 218


Date: Thu, 28 Sep 2000 18:27:52 +0100
From: Ruth Chandler <R.Chandler-AT-ucc.ac.uk>
Subject: Re: 16 now 21 and moving up!


just to clarify the Bergson bit-i do not mean i have the total virtual-which
my dodgy writing implies.

>>> Ruth Chandler <R.Chandler-AT-ucc.ac.uk> 09/28 6:18 pm >>>


>>> <lambdac-AT-globalserve.net> 09/27 7:38 pm >>>
>every idea i have had which
>was any good has been formed between the discrepancies of sentence
>construction and the act of adding grammar

We should like to think so.

>it seems absurd to me that a
>reader of Nietzsche would make such a special case of one whose grammar
does
>not perfectly reproduce the ideals of the priest.

Get off your moral high horse womin, who's the priest here? We referred
to people who parade their diseases as magnifiers for their egos, as fad
articles one wears to pass by in the artsy-fartsy world, as if they were
credentials, 

and N's sickness is not the expereintial conditions of  his great health?
anyhow, finding absurdity within the kind of arguent you are making is not a
moral abstarction. but, to clarify, i never use the dyslexia as a selling
point in finsihed work, it just takes a long time to 'dress' in correct
grammar and i don't have time to do that on email as well. the point of my
mail was to respond to your sneers by pointing out that all limits are
creative in some way and that there  are productive ways of aligning these
different kinds of sense. this was in the misplaced expectation that
explanation would be enough to stop what has turned into a silly
conversation. ah well, as N puts it, we still have god while we still have
grammar.  

in your instance, marks of pretentious deleuzianism.  You
are no more dyslexic than you are a stutterer - who do you think you can
con? 

a fake dyslexic? actually thats quite an interesting thought. ,
alterntiavely, Spivak links women's artistry ( as expounded by N) as the
ability to fake orgasm, 'her'   critical skills are thus always scrupulous
fake readings. perhaps if i tried faking dyslexia my thought proceesses
would 'come clean'.

oh dear, dear, fake 'Deleuzianism' too, get all those phantasms out of my
theatre... ah well there was only one proper name Deleuze i suppose. 

 You are a poseur

yes, performers do have a  repetitive habit of posing-kind of goes with the
territory- you might as well criticise a snake for hissing.
 
out to sell herself, 

i never take the cash. 

in search of the lost
identity of LC, unsure of which list to go to.

which way which way said Alice-knowing it was both directions at the same
time so that for once she could stay the same illusion  (first series of bad
intentional misquotes)

  You just wanna be loved,
babe.

oh yes! i love excahnginging loves with the ones i love but  'just' love, so
so boring, bit like counting the women twixt the priest and the dying man?


 
>i can fight within
>the kinds of individuations Lamda.C makes but i don't particularly want to
>buy into the rules of recognition which mark out his chess-board. as he has
>set the questions for this exam and is evaluating the answers, he does
>effectively straite the topology of this space.   

...afraid to play because that is tantamount to admit you do not have
what it takes. 

only a playground bully would think this was an argument.
i  gave up on 'chicken' years ago-something to do go with a high speed
train...oh ah blind monorail!

 This milieu here is precisely striated by neo-situs like
yourself.  Another abject fake schizo...

ah, the abject, actually your writings are really open to
semanalysis-tempting to run it but i want to do something better with anal
art. rocks for breath?  quite right by the way on N as the most anal of the
lot.as you surely already know group aggregates are schizophrenic in a way
which can't be tolerated by collective individuals without, obviously,
becoming schizophrenic. in case you are having trouble making sense out of
my thought processes, this is an argument for, not against putting a
stutterer into a group aggregate. 


>i find  sadness
>where one voice seeks to dominate all other differences under its
>individuating principles, where all differences are hieriarchialised in the
>name of its differences. 

Where we find sadness is in the spectacle of diversity where all
differences are abrogated in favour of the democratic dictatorship of
pro-situs and dimwits like you.  Deleuze surely would have deserved
better followers than those he has now so profusely gotten.

 again i make the point about following without following, at the end of the
day, the agon runs between life forms which tolerate no other lifeforms
except themselves and those which tolerate as many different kinds of life
form on condition that the the first kind selects itself out of existence.
that's the fascism of radical democracies and the 'better standpoints' of
some feminisms- just a lesser degree of cultural murder for more differences
in kind. the problem of the one and the multiple is a false problem anyhow..


>the last thing i would argue for is a cult of stutters. all that would do
is
>attempt to universalise my own singularities. 

Why not a cult of just your own stuttering then?
 
i don't do romantic individuals,  oh ah lambs!

And why does Deleuze not stutter, or decompose the text in every
syntactic and grammatic whichever way?  Why, my!, 'coz

why do you imagine that readers of Deleuze should try and be Deleuze-what
kind of copies do you expect here?
Deleuze writes beautifully and suggests strategies i can use. 

> stuttering is always to be alien in one's own tongue 

He couldn't do it.  But you can.  'mazin'!

as said already-i don't suggest my writing is good and i certainly would not
attempt to do the single author bit. try some Serres for a alternative
productive account of noise and sense.
  
>the performative utternaces of stuttering are  a kind of minor literature,
>like a mobile logic scrambler which occasionally turns up with something
>interesting in the turn and return beyond the experientially given but,
>admittedly, works best with people who write and think well.

Mush, this is flan pudding!  Scrambling logic (whatever you mean by
this) can only be performed by those who do not stutter... 

i am refering to the two kinds of intelligence worked out by Bergson in
Creative Evolution and Matter and Memory. one kind, the kind you exclusively
recommend as the measure of all things, refers to the specualitve domination
of matter by degree, the other is intuitive and links to the planes of
phenomena and ossified habit in the total virtual past. the optimum
conditions would be for a thinker to become adept in both kinds. i don't
have the first kind that strongly but i do have the second, so the best
thing to do with that is to work with thinkers of the first kind.

 Famous
thought you got in there, in the interstices of your sentences and your
"adding grammar".  Garbage, you write garbage.

ALL WRITING IS PIGSHIT ( Artaud)

>so, no i am not arguing for a super race of stutters

Madonna! 


>but
>arguing for productive transversals between stutterers and non-stutterers

This ain't one, is it?, given that the only self-proclaimed stutterer is
a fake?

oo- ah, i had not thought it myself. 

> anyhow, i don't want to talk about
>myself anymore. 

Really?
yes
>i am not a situationist but definitely draw many of my influences from the
>plotocal blurring of art and everyday life. 

Speechless.  Forget about stuttering.

>i am also a little spoilt with
>experiemental research

...into what?  A thesaurus for dyslexix? 

ok i understand that working with others is hard for you to grasp  so i'll
go slow. dyslexics de-systemise so i  do the de-stratifying bits of the
work. obviously destratification on its own is a lot of bits which don't
consist.

>i have got too used to friendly working relations, i
>suspect, and just found the encounter with majoritarain prejudice
>distressing.  

What we find distressing is that chlorpromazined psychos of your type
pass themselves off for minoritarian speech:

yes, well you are an institutional sadist and i am a contractual
masochist-if you don't know already, the two belong to different kinds of
topology in D's Coldness and Cruelty, they do not even meet in opposition.
 
Ruth.C
>as D points out in the Fold,  the  (
>relative) sum of the socious issues from an elsuive performativity
'between'
>practices,arts etc. arguably, entertianment is one kind of practice.

Lambda Chandala


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