Date: Thu, 11 Sep 1997 09:46:43 -0700 (PDT) From: Tom Grey <tgrey-AT-leland.Stanford.EDU> Subject: Re: PLC: Poetry vs. Prose On Thu, 11 Sep 1997, George Trail wrote: > >> > > > > The art of losing isn't hard to master; > > so many things seem filled with the intent > > to be lost that their loss is no disaster. > > > > Lose something every day. Accept the fluster > > Of lost door keys, the hour badly spent. > > The art of losing isn't hard to master. > > > > Then practice losing farther, losing faster: > > places and names, and where it was you meant > > to travel. None of these will bring disaster. > > > > I lost my mother's watch. And look! my last or > > next-to-last, of three loved houses went. > > The art of losing isn't hard to master. > > > > I lost two cities, lovely ones. And, vaster, > > some realms I owned, two rivers, a continent. > > I miss them, but it wasn't a disaster. > > > > -- Even losing you (the joking voice, a gesture > > I love) I shan't have lied. It's evident > > the art of losing isn't hard to master > > though it may look like (*write* it!) like disaster. > > > >Blythe Danner gives a fine reading of this poem as the conclusion to the > >TV show biography of Bishop in the PBS series edited by Helen Vendler that > >was on a few years back, and is occasionally rerun. I think the poem > >avoids the excessive heaviness and predictability that is the bane of the > >villanelle, and that even Thomas's remarkable one does suffer from to some > >extent. Of course she does bend the strict rules partly to gain this > >advantage, but I think there's no doubt the poem should count as an > >example of the type. > > > > -- Tom Grey Stanford CA tgrey-AT-leland.stanford.edu > > Thanks. Interesting contrast. Thomas takes the softest of subjects (the > death of a parent), that about which one is likely to become maudlin and > sentimental, and puts it is the hardest of forms and presents it without a > shred of irony. Bishop takes a much slighter subject and presents a master > class in hyperbolic litotes. I agree about the difference in rhetorical strategy, but is the loss of a longtime lover - Bishop's subject - really *that* much slighter than the loss of a parent? -- Tom Grey Stanford CA tgrey-AT-leland.stanford.edu
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