Date: Mon, 17 Apr 1995 12:04:30 -0400 (EDT) From: DLANGSTON-AT-maple.nac.mass.edu Subject: RE: mermaids in poco lit I too am interested in this mermaid allusion in _House of the Spirits_. My class is reading this novel at the moment, and we have been discussing this point with regard to several dimensions of the book. A couple of thoughts that have, to this point, informed my reading of Rosa. 1) She is the only woman in the del Valle-Trueba circuit whose name does not suggest whiteness or translucency. 2) She seems to belong to the same discourse as that which produces Rememdios the Beauty in _100 Years of Solitude_. So perhaps the cultural significance of mermaids is less important than the role of "magical realism" in Latin American fiction. 3) She is "otherworldly" (she is said to be made of "different material from the rest of the human race" and she is said to be an angel at birth) and stands at the beginning of the novel as a kind of "mythic" being whose death at the hand of political assassins propels the plot into the "history" of modern Chile. After her death, Esteban Trueba decides to start gain wealth on a hacienda and the exploitation of the labor of others instead of with his own hands as a miner. (I have wondered if Allende is trying to play with the myth/history opposition in parallel ways to that of Garcia-Marquez and others.) The mermaid allusion however is interesting. My only context is the current fad for mermaids in American pop-culture, but I have doubts that Latin American writers take their cues from Darryl Hannah movies. Instead my first suspicion would be Homer: does Rosa stand for the siren song of an uncorrupted origin/presence that cannot survive in a corrupt world and the desire for which is so disruptive? I don't know, but I am very interested in the thoughts of others. David Langston English/Communications North Adams State College North Adams, MA dlangston-AT-maple.nac.mass.edu --- from list postcolonial-AT-lists.village.virginia.edu --- ------------------
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