File spoon-archives/postcolonial.archive/postcolonial_2001/postcolonial.0101, message 32


Date: Sat, 13 Jan 2001 15:36:43 +0000
From: Sharon Smith <sharon-AT-matilda-northiam.demon.co.uk>
Subject: Fwd: FYI: New book: _African Cinemas_ by Olivier Barlet




  ------- Forwarded message follows -------
----- Forwarded message from Mel Page <africa-AT-ACCESS.ETSU.EDU> -----
Date: Fri, 12 Jan 2001 21:54:23 +0000
From: Mel Page <africa-AT-ACCESS.ETSU.EDU>
Reply-To: H-NET List for African History and Culture <H-AFRICA-AT-H-NET.MSU.EDU>
Subject: FYI: New book: _African Cinemas_ by Olivier Barlet
To: H-AFRICA-AT-H-NET.MSU.EDU

Date:    Fri, 29 Dec 2000
From:    Margaret Ling
         <MARGARET-AT-zedbooks.demon.co.uk>

Crossposted from <african-cinema-conference-AT-XC.Org>

**************************************************
Editor's Note: This message only reached H-Africa on Fri, 12 Jan
2001.                                  mep
**************************************************

NOW AVAILABLE FROM ZED BOOKS

TITLE: African Cinemas - Decolonizing the Gaze
AUTHOR: Olivier Barlet, translated by Chris Turner
KEY POINTS
* Prizewinning overview of African cinema and television
* A distinctive and original contribution to postcolonial theory

ISBN:
1 85649 742 9 hbk
1 85649 743 7 pbk

FEATURES: Photographs/Notes/Bibliography/Index/336 pp/Royal
format
LIBRARY CATEGORIES: Film Studies/African
Studies/Postcolonial
Theory

ABOUT THE BOOK
African Cinemas is both a personal journey and an introduction to the cinema
cultures of Africa. A book about the politics of cultural survival, it is
also a major overview of African cinema and television. Olivier Barlet
traces the development of African cinema,  from colonization to
Afrocentrism. He analyses specific films, particularly through narrative and
in terms of their African specificity, in the use of silence, orality and
humour. He talks to a huge range of film directors, including Ahmadou
Diallo, Med Hondo, Ousmane Sembene and Salif Traore.  He explores the social
and economic contexts of the African cinema and television industry,
including its often vexed relations with the West and the problems of
production and distribution African film-makers face.  Exploring the
achievements and challenges of those who seek to affirm African cultural
values through film, the book is ultimately a plea for seeing and respecting
the otherness of the Other. This is a book which takes us into learning how
to look.

ABOUT THE AUTHOR
Olivier Barlet is film critic and chief editor of the monthly magazine
Africultures (L Harmattan, Paris). He has written many books on Africa.


=============================For information on your nearest stockist or to order a copy of this title by
post, contact:
Mohammed Umar
Zed Books
7 Cynthia Street, London N1 9JF
Tel +44 (0)20 7837 4014  Fax  +44 (0)20 7833 3960
Email sales-AT-zedbooks.demon.co.uk
=============================Customers in the USA please contact:
Palgrave
175 Fifth Avenue, New York NY 10010
Tel (212) 982 3900 Fax (212) 777 6359
Email sales-AT-palgrave-usa.com
=============================Customers in Canada please contact:
Fernwood Books Ltd
Box 406, Station C
Toronto, Ontario M6J 3P5
Tel (416) 595 1085 Fax (416) 595 1140
Email lindsay-AT-istar.ca
=============================Customers in Australia please contact:
Astam Books Pty Ltd
57-61 John Street
Leichhardt, Syney NSW 2040
Tel (02) 9566 4400 Fax (02) 9566 4411
Email info-AT-astambooks.com.au

----- End forwarded message -----




-- 
Sharon Smith


     --- from list postcolonial-AT-lists.village.virginia.edu ---

   

Driftline Main Page

 

Display software: ArchTracker © Malgosia Askanas, 2000-2005