From: "Margaret Trawick" <trawick-AT-clear.net.nz> Subject: Re: God of Small Things: pointless dissection Date: Tue, 30 Oct 2001 17:02:00 +1300 Here is my own, personal review of God of Small Things, which I read some years ago. At first, the countless similes ("a is like b", "x is like y") were annoying. But they were good similes, after all. I liked the simile between the little girl's hairstyle and a fountain. And I was struck by the smell of the river on people - how much it can mean. Has anyone else written of the smell of the river so powerfully? Mark Twain should have done, but he didn't, for all his intimate love of rivers, and for all his understanding of class and race and how deeply they hit the heart and the gut - he did not get the smell of the river on the bodies of Huck and Jim. But in my view, the part of Roy's novel that will speak to all humanity is the description of what happened to Velutha when he got beaten by the police. The memory of this description will always stay with me. We hear such abstract words as "beating", "brutality", even "torture", but we do not know the concrete facts hidden by these words. A beating can mean a few punches and bruises. Torture can mean electoshocks, or near drownings, or blows to the soles of the feet leaving no physical traces. We can live with all this. I cannot live with what happened to Velutha, and I know that what happened to him in Arundhati Roy's fiction has happened in real life to real people. Real people, innocent and kind people, in Kerala, and other parts of South Asia and the world. Will anyone dare to say that what Roy described is mere fantasy? "It may have happened somewhere else, at some other time. Someone else may have done these things in the past, but not here, not now, not by me or the people I know," is what you hear when you ask. "We are civilized people," they say. If Arundhati Roy has been castigated and mocked, if efforts have been made to discredit her, here is the reason: she told the truth, and thousands of people have read what she wrote. Maybe some hundreds have thought about the novel and taken it seriously. It is not just that Roy is a good writer who is able to draw readers into the world she describes. Many fine novelists create impossible yet compelling worlds. Many fine novelists are great entertainers, better entertainers than Roy, more original in their choice of themes, more skillful in their use of words. But Roy told the truth. In India, someone who has done no wrong has suffered the fate of Velutha. And again it is happening now, and again it will happen. Knowing this, more people will be moved to action. And such action will be a problem for those who are pleased with the way things are going now. --- from list postcolonial-AT-lists.village.virginia.edu ---
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