Date: Mon, 1 Sep 2003 02:42:31 -0400 Subject: with ex-Lebanese National Resistance fighter and icon, Soha Bechara. From: julian samuel <jjsamuel-AT-vif.com> Press Release Jayce Salloum everything and nothing and other works from the ongoing video installation, ‘untitled’, 1999-2003. Opening Saturday, September 6 at 2 pm, continues to October 4, Wed- Sun noon to 5 p.m. Dazibao, Centre De Photographie Actuelles 4001 Rue Berri, #202 Montréal, (514) 845-0063 Dazibao, in coproduction with Le Mois de la Photo à Montréal, is pleased to present "everything and nothing and other works from the ongoing video installation, ‘untitled’, 1999-2003", an exhibition by Jayce Salloum. This seven-channel video installation demonstrates the artist’s continuing interest in the representation of social and geopolitical realities. His focus on borders, nationalisms, and movements complements his close attention to issues of subjectivity, one that he has carefully and expertly developed over the two and a half decades of his practice. In this installation, Salloum deconstructs the traditional documentary format as he explores the various conditions of living between polarities of culture, geography, history, and ideology. "everything and nothing", the video from which the exhibition takes its title, consists of an interview with ex-Lebanese National Resistance fighter and icon, Soha Bechara. Rather than question her about her experience of capture, imprisonment and torture, Salloum conducts an intimate, if problematic, conversation in her tiny Paris dorm room, itself hardly bigger than a cell. He asks her, off camera in stilted French, not about the hard facts but about her impressions and thoughts. Bechara’s intelligent and positive answers in Arabic build a captivating alternative portrait of a woman who would be labeled a terrorist (in terms defined by the West). Bechara and Salloum’s interaction, along with the combination of open-ended questions and assertive filmic devices, such as extreme close-ups and quick zooms, remind the viewer of the camera’s presence, as well as both the subject and the artist’s positions. Salloum's installation was at the heart of the controversy over the attempted cancellation of the exhibition, The Lands within Me: Expressions by Canadian Artists of Arab Origin, which open at the Museum of Civilization (Hull) in October 2001, immediately following the tragedy of September 11th. After viewing Salloum’s tapes, the directors of the museum attempted to postpone the exhibition “indefinitely”. A large international public outcry forced the Museum to open and present the exhibition as originally planned. Salloum’s work is further contextualized within the framework of the current Mois de la Photo à Montréal, entitled NOW. Images of Present Time. The festival’s theme investigates the current and historic dialogue between photography and history. Artistic Director Vincent Lavoie’s aim to present artistic practices that " restore, destroy and refer to the testimonial function of the image" is well demonstrated by Salloum’s deep understanding of the way that our perceptions are constructed by the media. Since 1975, Jayce has been working in installation, photography, mixed media and video, as well as curating exhibitions, conducting workshops and coordinating cultural projects. His work critically engages in the representation and actualization of social manifestations and political realities. A media arts philosopher and cultural activist, Salloum has lectured internationally and exhibited extensively throughout the Americas, Europe, Japan and the Middle East. He is currently based in Vancouver. --- StripMime Warning -- MIME attachments removed --- This message may have contained attachments which were removed. Sorry, we do not allow attachments on this list. --- StripMime Report -- processed MIME parts --- multipart/mixed image/tiff text/plain (text body -- kept) --- --- from list postcolonial-AT-lists.village.virginia.edu ---
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