Date: Mon, 1 Sep 2003 20:56:24 -0700 (PDT) From: Luisa Rodriguez <stormchaseril-AT-sbcglobal.net> Subject: Re: [Postcolonial] How Hip-Hop Holds Blacks Back While I agree that music lyrics and attitudes do not create antisocial teens, it seems a bit naive to think that they do not influence teens with little else to engage their minds. And while the war in Iraq is very important to cover, so are the roots of antisocialism in our country. Luisa Margaret Trawick <trawick-AT-clear.net.nz> wrote:Dear Horn of Africa, With all due respect, it seems to me that a food fight among fourteen-year-old boys at a K-Y Fry is not something to be alarmed about. Abundant evidence suggests that such food fights have been occurring among people of this age group of all classes and colors for decades if not centuries. Similarly, verbal sass on the part of a young man in a car, though it may be irritating, should not be cause for alarm. Such behavior, like food fights, has been observed among black and white adolescents since at least the 1950's. Therefore, one may reasonably conclude that hip-hop music is not the cause of such behavior, nor even necessarily a contributing factor. Before hip-hop there was punk, and before that the Beatles, and before that Elvis, and so on back, and all such popular singers who flouted the values of middle-class elders provoked alarm on the part of those who espoused such values. For Elvis it was his open sexuality that got the elders in a tiff, and for the Beatles it was their anti-authoritarian stance, and for hip-hop it is the expression of violence in music. But to assume a particular voice in music is not necessarily to identify with the words of the speaker, nor to agree with him. It is only to say that this voice is real. Hip-hop takes many forms, including gentle ones (such as Maori hip-hopper Che Fu), and as you and others have noted, the majority of hip-hop fans are white and middle class. I would bet my white ass that the all of those who actually engage in criminal violence are subject to far more pressing influences than hip-hop music, and would do what they do regardless of what was playing on the radio. Meanwhile, the musicians themselves, at least some of them, get rescued from the hopeless world of the ghetto and its violence precisely by their music and its popularity. And once they are out, they do all they can never to have to go back. It is not the music that is adulated, I believe, so much as the singers themselves, who through a combination of luck and talent have escaped the life they describe. Finally, the message is, better to make music than to deal drugs and get in barfights and pack a piece. So, what is the big deal, really? I think you should spend your energy as a writer opposing bad government, the war against Iraq, environmental destruction, and things like that. As for hip-hop, just let it be. Regards, Margaret (b. 1948) --- from list postcolonial-AT-lists.village.virginia.edu --- Luisa Rodriguez, Assistant Professor Harry S Truman College Communications Department 1145 W. Wilson - Chicago, IL 60640 Office: 773-907-4379 Home: 773-275-0631 http://faculty.ccc.edu/lrodriguez/lrodriguez.html "Hold a vision of each person doing their best." C. Yager "Cada cabeza es un mundo aparte." Unknown --- StripMime Warning -- MIME attachments removed --- This message may have contained attachments which were removed. Sorry, we do not allow attachments on this list. --- StripMime Report -- processed MIME parts --- multipart/alternative text/plain (text body -- kept) text/html --- --- from list postcolonial-AT-lists.village.virginia.edu ---
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