Date: Thu, 5 Dec 96 12:26:19 -0600 (CST) From: Buster <jmaroon1-AT-mail.airmail.net> Subject: Re: Puppet Voices At 03:46 PM 12/5/96 UT, Lynn wrote: >Hi! >As our first year draws to a close for our puppet team, i've set some goals >for the new year. One being, we need help in developing our "puppet" voices. Our vocal sounds are created with the diaphragm, lungs, vocal cords, mouth cavity, tongue, teeth, lips, and nasal cavity. Any time you change any of these areas, you change your voice. One of the easiest voices to do is to open everything as wide as you can: your mouth, nasal cavity, and vocal cords. Basically, do a simulated yawn, and then vocalize it. This gives a kind of dumb voice. If you stick your top teeth out over your bottom teeth, it will be even more pronounced. Thing is, every person in your puppet team can do this voice, and because everyone has a different shaped face and vocal muscles, they will all sound different. Another is to just do a nasal voice. Force the air up through your nasal cavity, or shut off the air going out of your nose. Another is to tighten the vocal chords, which gives a higher pitched voice than you normally have. It is a good one for doing kid voices. Yet another is to force air out faster than you normally would. Control the voice and volume level, but force out the air, getting a kind of breathy sound. This will give you an old man voice. Crack your voice with a mix of normal and falsetto. Not steady falsetto like Micky Mouse, but just break it. Depending on the amount of falsetto, this can either be a nerdy teen or an old man or woman. Gravel voices are good for either old men or bad guys, but they can be painful. These are created by kind of growling as you speak. Make sure you warm up plenty, and use it sparingly. Don't forget speech mannerisms, either. For instance, if your character is a kid, it helps a lot if it talks like a kid, not just sounds like one. Accents help a lot, so try mixing them with some of the above. Lastly, try combining the different techniques above for a completely different sound. You may be surprised. Try doing the yawn voice combined with shutting off the nasal passage, or the tightened voice with the gravel. However, it is better to master both techniques before trying to combine them. --Jim Maroon The Storytelling Home Page http://members.aol.com/storypage --- Personal replies to: Buster <jmaroon1-AT-mail.airmail.net> --- List replies to: puptcrit-AT-lists.village.virginia.edu --- Admin commands to: majordomo-AT-lists.village.virginia.edu
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