Date: Sun, 12 Jan 1997 11:09:38 -0500 (EST) From: John Bell <bellj-AT-is3.nyu.edu> Subject: Re: Teschner Video Yes, I just wanted to say, from an historic point of view, that one of the things that is interesting about Teschner's work is its indebtedness to Javanese rod puppet theater (wayang golek, I presume). I think this is interesting because it marks a moment where European (and Euro-American) puppet theater turns (a bit) from string and rod marionettes and hand puppets and allows itself to be influenced by Asian theater techniques. I say this because I think that nowadays, for example, you see Bunraku influences everywhere in American puppet theater, whereas a few decades ago (i.e., from Bufano through Baird and Tillstrom) puppet techniques were pretty much defined by and limited to string marionettes and hand puppets. It seems to me that part of the magic of Teschner's work was his interest in the form (and content?) of Asian puppet theater. I also appreciated very much Robert Smythe's description of how Mum Puppet Theater works. John Bell --- Personal replies to: John Bell <bellj-AT-is3.nyu.edu> --- List replies to: puptcrit-AT-lists.village.virginia.edu --- Admin commands to: majordomo-AT-lists.village.virginia.edu
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